EarBliss, 16jan2020/AM… TEMPORAL, by Julia Kent.

Retrieved a cache of toys from under the couch and the dog-children are ecstatic. Dog-dad powers, activate.

EarBliss, 15jan2020/PM… IV, by Innercity Ensemble.

Meanwhile, at Parenthetical Recluse… Of order and chaos

EarBliss, 15jan2020/AM: TRILOGIE DE LA MORT, by Eliane Radigue.

EarBliss, 14jan2020/PM: COLOUR, by Anat Fort Trio.

Brain trust.

The house mouse continues its winning streak in our battle of wills. The war rages on.

Meanwhile, at Parenthetical Recluse… Hypo/hyper BBC Dracula etc etc

EarBliss, 14jan2020: ECSTATIC COMPUTATION, by Caterina Barbieri.

To the victor…

EarBliss, 13jan2020/PM… JOURNEY IN SATCHIDANANDA, by Alice Coltrane; BADGE ÉPOQUE ENSEMBLE, by Badge Époque Ensemble; DUMMY, by Portishead.

Current rotation, 13jan2020.

EarBliss, 13jan2020/AM… SAMAN, by Hildur Guðnadóttir; ALL MY PEOPLE, by Maria Somerville; CARDINAL, by Philip Jeck.

Meanwhile, at Parenthetical Recluse… On JOKER

Because the secret to my (occasional) online sanity bears repeating: The Far Side.

Sunday visit.

Newsletter 0084 is in the wild; the week is done.

EarBliss, 12jan2020/AM… CODEX, by Atrium Carcieri; JOKER: ORIGINAL MOTION PICTURE SOUNDTRACK, by Hildur Guðnadóttir.

Good morning.

Dog, among pineapple.

All I really want is the Criterion Channel to come to XBox so I can pay money to get annoyed about not having the time to watch everything I want to watch.

Meanwhile, at Parenthetical Recluse… Escaping the escape room of future’s tradition

EarBliss, 11jan2020/AM… SATIE: THE EARLY PIANO WORKS, by Reinbert de Leeuw.

Only been here a short time, but this space is already becoming an essential part of my day and my work; slowly but surely getting my sea legs.