EarBliss, 12jan2020/AM… CODEX, by Atrium Carcieri; JOKER: ORIGINAL MOTION PICTURE SOUNDTRACK, by Hildur Guðnadóttir.


EarBliss, 12jan2020/AM… CODEX, by Atrium Carcieri; JOKER: ORIGINAL MOTION PICTURE SOUNDTRACK, by Hildur Guðnadóttir.


All I really want is the Criterion Channel to come to XBox so I can pay money to get annoyed about not having the time to watch everything I want to watch.
Meanwhile, at Parenthetical Recluse… Escaping the escape room of future’s tradition
Only been here a short time, but this space is already becoming an essential part of my day and my work; slowly but surely getting my sea legs.
Hatching my election year online sanity-survival plan which, so far, involves fleeing the mainstream networks for the relative calm of posting on my site and here. I think it’s a solid plan.
Meanwhile, at Parenthetical Recluse… Of rain and a practice resumed
EarBliss 10jan2020/AM: THE GROUND OUR SKY, by Saariselka; AZATHOTH, a dark ambient collaboration from Cryo Chamber.


That moment when you start to open a container of bacon bits but recall that you perhaps, maybe, already opened one the other day and, upon opening the refrigerator, find it to be so.
Meanwhile, at Parenthetical Recluse… Towards a saner personal internet, maybe
EarBliss, 09jan2020/AM: AN ARK FOR THE LISTENER, by Philip Jeck; BECOME DESERT, by John Luther Adams.


Meanwhile, at Parenthetical Recluse… I read the news (with breakfast, again), oh boy
EarBliss, 07jan2020/PM: THE UNDIVIDED FIVE, by A Winged Victory for the Sullen; BLOOM, by Areni Agbabian and Nicolas Stocker.